Times like these make me happy that channels like FX and USA are liberal in their reairings of current episodes. This means that I can catch Tuesday night's Law and Order: Criminal Intent premiere (sacrificed for two hours of Roger Federer battling a Czech guy who was ranked 16 at an Open in Florida) later this week without chewing my nails off wondering what will happen to
For my Monday night lineup:
Damages
I'm happy that I took a class back in college that introduced me to several new shows. Most of these are now staples in my weekly TV watching, and rather up there on my fandom list. I am so hooked on this season I rewatch episodes whenever I can catch them. The fact that Patty, Ellen, and Tom are all closer than acquaintances and colleagues, but nothing near enough to describe as friends is compelling. The three continually defend, assist, and still! lie to one another for their own purposes. Tom's conflict of interest in the Tobin case has been slowly revealed over the course of the season thus far, and now that we now how he died, I'm curious to see who actually delivered the mortal wound that got him there. He's getting more erratic in his behavior, troubled by the weight of his family's and his in-laws' financial woes, so it's understandable that he would lash out to Tessa Marquetti in order to get her to reveal whatever she knows about where the Tobin's stashed their money. His wife doesn't seem like she's got her financial priorities in order (seriously, keep the vacation home? sell the damn thing!) so the weight of it all falls on him. The fact that he handed Patty a resignation letter last week, and got her suspicious of his personal dealings this week makes me wonder if she had a hand in his death. I wouldn't put it past her.
Speaking of Patty, it's good to see her and Ellen on the same page. The latter is a lot like her mentor, and I rooted for her when she told her sister that she could help with alleviating the drug charges, but that she wouldn't. It was a very smart move to look out for herself in spite of the opposition and anger she'd receive from her parents. The dream sequences were weird, but at least they made more sense than Patty's pony party with Uncle Pete. When Ellen asked her sister if she remembered the taunts she used to make about her (Ellen) being adopted, the wierd dreams about the former babysitter made a bit more sense. I wonder if she really is Ellen's birth mother...
Martin Short's Leonard Winstone is fantastic. There, enough said. Just kidding, I thought his backstory with origins in a trailer park and hick father would be cliche, but boy was I wrong. His father's a low life extortionist jerk who pocketed the money Len sent home for his ailing mother, and now that she's passed, he's followed his son up to New York with threats to expose him to the Tobins unless he gets a continual hefty sum in return for his silence. Short definitely can put on a scary face when the role permits, and when he glowers at his father masquerading as a retired former law professor, I thought his jaw would snap from the tension. Well done! I have a feeling old Wiggins has some nefarious role to play in the Tobin case, but I would kind of like to see Ray put a hit on him.
Law & Order
Guest starring: Buster Bluth! I'll never get over the mind trip that is casting comic actors in dramatic roles. It's jarring, and I kept thinking Lucille was going to show up and drag him off to a Mother-Boy pageant to cheer him up. Okay, that's cruel. The episode was actually very good, sharply written, and left me feeling kind of down at the end. The best L&O episodes usually do for some masochistic reason. Buster played a divorced father whose last name was Shoemaker (I thought it was Schumacher, as in: ruined Batman & Robin) that was accused of poisoning his ex-wife's Brazilian husband so that he could regain custody of their daughter. Of course, since this is L&O we're talking about, there was a twist. Turns out, the ex-wife's parents had teamed up with their former son-in-law to poison the new hubs, and get Shoemaker's daughter back to the US. The wife had taken their daughter to Brazil against court order, and kept her there for three years and ultimately was rewarded for that. All thanks to D.A. Michael Cutter.
Linus Roache's Cutter really is a good successor to Sam Waterston's Jack McCoy; he's a tenacious, by the law, hard nosed driver who managed to get Shoemaker to confess on the stand that he was a co-conspirator in the attempted murder of his ex's husband. After the defense attorney brought his paternal abandonement issues into question in court, he made no qualms about pressing charges against the desperate father who wanted to see his daughter again. I thought he should have left it alone, the girl's mother was worse off as a caregiver, and now the poor child will have one hell of a mess to come to terms with when she gets old enough to understand it all.
By the way, Detectives Bernard and Lupo were once again fabulous, and I love that the energy between the two is reminiscent of the prickly and drily humorous Brisco and veerrry early Logan. I can't believe this show is in it's twentieth season! It's practically as old as I am!
United States of Tara
I won't claim to know what's really going on this season as a resolution to the last one, since I missed a significant portion of that, but I have to admit that I have a soft spot for Diablo Cody's snappy dialogue.
In the second episode of this second season, Tara lost time by slipping into her hick alter, Butch. He subsequently seduced the ditsy bartender at the local bar, caused a whole hell of a mix up for Tara, and reduced her to hiding out in the closet of their suicide victim neighbor. Kate scored a comission at her debt collecting job, and befriended a feirce artist, while Marshall fell for the glbt+some ally, Courteney, putting him at odds with the flamboyantly gay kid. Charmaine flaunted her engagement ring to all, and moved in with Tara's family (only till she ties the knot), while Max coaxed Tara into putting an offer on the neighbor's house, and giddly set to work with plans to flip the property. Best moments in the episode have to be Tara attempting to piece together the awkward run in with bartender girl, subsequently putting said pieces together, and then arguing with Buck over use of "the body."
And.....last but not least, Tuesday night's offerings:
Southland
I can't believe this show only has one episode left. The hiatus between this season and the third had better not be too long or heads will roll. I don't even know where to begin, except that Lydia Adams absence was duly noted! The presence of the rest of the awesome detectives did make up for that though. I'm elated that the writers kept to the ensemble format even though the show jumped networks, I had serious fears before season two started, that the focus would be limited to three of the characters, and I'm glad this isn't the case. This show is too good for NBC, can I just come out and say that? I do sometimes wonder what it would be like if HBO had it instead of TNT. For all of the censured F-bombs that get dropped, I'm surprised the violence isn't tampered down as well. Not that I want it to be, mind you, the show excels in expressing the violent brutality of murder and crime that the detectives and street cops have to deal with on a daily basis.
This episode continued the gang related case that resulted in Moretti's daughter becoming involved with one of the thugs and reunited him with his old narcotics partner who butts heads with every one of the detectives in his current department, and makes Bryant jealous. Moretti's daughter becomes involved in the case when she witnesses the murder of two of the thugs in a nightclub, and actually refers to him as "daddy," when he comes home to find her still covered in the victim's blood. Bryant's idiot wife really takes the cake this week; between photographing gang members tied to several open cases, getting stoned with a much younger skater kid, who subsequently steals her 2k camera and Macbook, she blatantly ignores her husband's warnings about the dangers of her thoughtlessness and accuses him of failing to see the artistry in her work. WTF woman. I can't even get started on her failure to control Richter, who lunges at the skater kid during their initial meeting and starts ripping at the kid's backpack. Good thing the loser was too stoned, or he would have pressed charges *snark*.
I felt terrible for Sammy Bryant this week, the poor guy just couldn't catch a break. On top of his wife's monumental FAIL, Detective Bryant tried to mentor a hyper-literate kid in the hopes of preventing him from joining a gang. Sammy gets called to a crime scene where a second middle school age boy has been found dead from a gunshot wound. After asking a nearby witness for details regarding the murder, the detective is faced with the gut punching revelation that his young protege was seen fleeing the scene of the crime. In the most heart breaking scene ever, Sammy runs down the street to the boy's house, busts in and charges into the boy's room to find him crying on the bed, cradling the murder weapon. Both are openly weeping, and poor Sammy struggles to cuff his once promising charge while the boy apologizes.
The subsequent scene where Tammi apologizes profusely for her mid-day smokeout and camera/computer handout was like a fist to the face. Her histrionics fade into white noise as Sammy gets up without a word and leaves the room, turning the television sound up. I hope season three (MAKE IT HAPPEN TNT) brings about a divorce, or at least a separation for the Bryants. Watching Sammy hobble around in his personal life with his ball and chain is too depressing. Plus, the realization that Sammy and Tammi are a rhyming couple is gag inducing...BARF.